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Melbourne, Victoria

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Case study · Fitzroy, Melbourne

Fitzroy terrace: a narrow house made to feel wide

Client
Anna and Luca (fictional)
Home
Single-fronted Victorian terrace, 5.2 m wide
Rooms
Living, kitchen, dining, hall
Duration
16 weeks, sample
Budget band
$90,000–$130,000 AUD, sample
01The brief

“It feels like we live in a hallway.”

Anna and Luca bought the terrace for its location and its front rooms, which still had their ceiling roses and a cast-iron fireplace. The back half was another story: a 1980s lean-to kitchen, a dark dining area with no windows on either side, and a hall lined with bikes and shoes.

They asked for three things. More daylight at the back. Somewhere to put everything that lived in the hall. And a kitchen big enough for two people to cook at once, without adding a second storey or losing the courtyard.

02The plan

One long room under one long skylight

The builder kept the party walls and most of the roof. We replaced the lean-to roof over the kitchen with a 2.4-metre skylight, ran the kitchen along the party wall so the middle of the room stayed open, and replaced the back wall with steel-framed glass doors to the courtyard. In the hall, 350-millimetre-deep joinery swallowed the bikes' helmets, the shoes and the recycling.

Floor plan of a single-fronted Fitzroy terrace: two bedrooms and a bathroom along a hall with built-in joinery, opening to a living, kitchen and dining room under a long skylight, with steel-framed doors to a rear courtyard
Fig. 2 Ground floor plan, sample project. Not to scale.

Select a number on the plan or in this list to see what changed.

  1. Material
    Original cast-iron insert and slate hearth
    Finish
    Restored, blacked and sealed; now decorative
    Supplier
    Heritage fireplace restorer
  2. Material
    Handmade-look ceramic wall tiles and a freestanding bath
    Finish
    Gloss glaze with warm grey grout
    Supplier
    Tile importer and plumbing supplier, trade accounts
  3. Material
    Painted MDF with oak shelves, 350 mm deep
    Finish
    Two-pack satin in the wall colour
    Supplier
    Local cabinetmaker
  4. Material
    Oak veneer joinery with a honed stone benchtop
    Finish
    Hardwax-oiled veneer, push-to-open doors
    Supplier
    Local cabinetmaker
  5. Material
    Double-glazed fixed skylight, 2.4 m long
    Finish
    Light well painted in the wall colour
    Supplier
    Skylight installer, through the builder
  6. Material
    Victorian ash, 2.2 m long
    Finish
    Matt lacquer
    Supplier
    Melbourne furniture maker
  7. Material
    Steel-look aluminium frames, double glazed
    Finish
    Powder-coated deep slate blue
    Supplier
    Window and door fabricator

03Materials

A palette that bounces light

With daylight coming from above, every surface needed to reflect it gently rather than glare. We kept to five materials and repeated them through the back of the house.

  • OakWide engineered boards and veneer joinery, hardwax-oiled
  • Lime plasterWalls in the kitchen and dining room, sealed for wiping
  • Honed bluestoneBenchtop and courtyard threshold, sealed
  • LinenDining chair seats and sheer curtains to the courtyard
  • Slate blueDoor frames and the hall joinery handles
04Outcome

The back of the house became the best room

The kitchen and dining room now get daylight from late morning until early evening, and the courtyard reads as part of the room when the doors are open. The hall is clear from the front door to the kitchen. The front bedroom kept its fireplace, restored and sealed, and is the quietest room in the house.

The hall used to be the place we dropped things. Now it is the way to the light.

Sample client comment, written for this demo

Next case study: Elwood art deco flat

Living in a narrow house? Let's talk about the light.

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